Al Waxman, born Albert Samuel Waxman on March 2, 1935, in Toronto, Ontario, is remembered as one of Canada’s most beloved actors, directors, and humanitarians. With a career that spanned over five decades, Waxman left an indelible mark on both Canadian and international entertainment, known for his charismatic screen presence, deep commitment to his craft, and his work as a philanthropist. Best known for his role as Larry King in the iconic Canadian sitcom King of Kensington and for his portrayal of Lt. Bert Samuels in the critically acclaimed series Cagney & Lacey, Waxman’s legacy transcends the television screen. His contributions to theater, film, and television helped shape the Canadian entertainment landscape, making him a national treasure.
Early Life and Career Beginnings
Al Waxman grew up in Toronto’s vibrant Jewish community, the son of Jewish immigrants from Poland. His father, Morris Waxman, was a businessman who ran a variety store, while his mother, Ita Waxman, was a former opera singer who had a passion for the arts. It was from her that Waxman developed his love for performing. Despite growing up in a working-class neighborhood, Waxman’s home was rich in culture, which helped nurture his interest in acting from a young age.
Waxman attended Central Technical School in Toronto and later studied at the York University Faculty of Fine Arts, where he honed his craft and prepared for a life on stage and screen. His early years as an actor saw him perform in local theater productions, gradually gaining experience and confidence in his abilities. Waxman also worked as a commercial copywriter and did voice-over work to supplement his income, but his passion remained in acting.
In the 1950s and 1960s, Waxman began to appear in a number of television shows and films, including roles in The Forest Rangers, Wojeck, and Encounter. These early roles helped establish him as a reliable and versatile actor, capable of playing a wide variety of characters.
King of Kensington: A Canadian Classic
Al Waxman’s career reached new heights in 1975 when he was cast in the lead role of Larry King in King of Kensington, a Canadian sitcom that would cement his place in television history. The show, produced by the Canadian Broadcasting Corporation (CBC), centered around Larry King, a working-class man living in the diverse Kensington Market neighborhood of Toronto. King was portrayed as a warm, down-to-earth character who was always willing to lend a helping hand to his neighbors and friends. He ran a small convenience store, which became the focal point of the community’s interactions.
King of Kensington was an instant hit with Canadian audiences, becoming one of the most popular television shows in the country during its five-season run. Waxman’s portrayal of Larry King resonated with viewers because of his authenticity and charm. He embodied the quintessential Canadian everyman, representing the values of community, kindness, and hard work. The show not only provided lighthearted entertainment but also touched on important social issues such as multiculturalism, immigration, and economic hardship, making it both relevant and relatable to a broad audience.
Waxman’s performance as Larry King made him a household name in Canada, and the show became a cultural touchstone. It remains one of the most iconic sitcoms in Canadian television history, with Waxman’s portrayal of King serving as the heart of the series. His natural ability to connect with audiences, along with his comedic timing and genuine warmth, made King of Kensington a success and solidified Waxman’s status as a Canadian television icon.
International Recognition: Cagney & Lacey
While Waxman was beloved in Canada for his role in King of Kensington, his work in the United States garnered him international recognition. In 1981, Waxman joined the cast of the groundbreaking American police drama Cagney & Lacey, playing Lt. Bert Samuels, the gruff but caring superior to detectives Christine Cagney (Sharon Gless) and Mary Beth Lacey (Tyne Daly).
Lt. Bert Samuels was a complex character who often struggled with the challenges of leading a team of detectives, particularly in dealing with the ambitious Cagney and the family-oriented Lacey. Though initially portrayed as somewhat chauvinistic and tough, Samuels was later revealed to be a more sensitive and understanding figure, adding depth to Waxman’s portrayal. His nuanced performance as a supportive yet occasionally frustrated boss contributed to the show’s exploration of workplace dynamics, gender issues, and personal relationships.
Waxman’s work on Cagney & Lacey helped the show become one of the most acclaimed police dramas of the 1980s, and his performance was praised for its balance of authority and warmth. The series earned numerous awards, including multiple Emmys, and Waxman’s role as Samuels became one of his most recognizable performances outside of Canada. His participation in the series not only showcased his ability to excel in dramatic roles but also introduced him to a broader, international audience.
Theater Work and Directorial Pursuits
In addition to his success on television, Al Waxman was deeply committed to the theater. He was a prominent figure in Canadian theater, performing in and directing a wide range of productions throughout his career. His contributions to the stage were not limited to acting; Waxman also took on directorial roles, demonstrating his versatility and passion for storytelling in all its forms.
Waxman’s stage career was rich with notable performances, including leading roles in productions of Death of a Salesman, Fiddler on the Roof, and Awake and Sing! His ability to bring depth and humanity to his characters, whether on screen or stage, earned him respect among his peers and audiences alike.
In the 1990s, Waxman directed several episodes of television series, including Beachcombers, showcasing his talent behind the camera. He also served as a director for the Canadian television show Wind at My Back. Waxman’s directorial work reflected his deep understanding of storytelling, and his leadership on set was appreciated by actors and crew members alike.
Humanitarian Work and Advocacy
Beyond his work as an actor and director, Al Waxman was known for his tireless dedication to humanitarian causes. He was a passionate advocate for numerous charities and community organizations, and his commitment to giving back was an essential part of his life.
Waxman was particularly involved with organizations that focused on healthcare, education, and the arts. He was a longtime supporter of the Canadian Diabetes Association, serving as a spokesperson and helping to raise awareness and funds for research. Waxman also championed the cause of affordable housing and supported initiatives aimed at improving the quality of life for underprivileged communities in Canada.
His dedication to community service extended to his work with the Toronto Jewish community, where he remained active throughout his life. Waxman’s commitment to helping others reflected the values he portrayed on screen, particularly in his role as Larry King. His charitable efforts were recognized in 1997 when he was appointed to the Order of Canada, one of the country’s highest civilian honors, in recognition of his contributions to the arts and his humanitarian work.
Later Career and Legacy
Al Waxman continued to work in film, television, and theater well into the 1990s and early 2000s. He appeared in films such as Heavy Metal (1981), Class of 1984 (1982), and Naked Lunch (1991), showcasing his versatility across different genres. His later television work included guest appearances on popular shows such as Twice in a Lifetime and The Twilight Zone.
Despite his many accomplishments, Waxman remained humble and approachable, known for his kind demeanor and generosity both on and off the set. His contributions to Canadian culture and entertainment were profound, and his passing in 2001 from complications following heart surgery left a void in the hearts of fans and colleagues alike.
In honor of his contributions to Canadian arts and culture, a statue of Al Waxman was erected in Toronto’s Kensington Market, the setting of King of Kensington. The statue stands as a testament to Waxman’s impact on Canadian television and his enduring legacy as a champion of community and kindness.
Enduring Popularity and Cultural Impact
Al Waxman’s portrayal of everyday characters like Larry King and Lt. Bert Samuels resonated with audiences because of his ability to convey genuine warmth and relatability. Whether playing a blue-collar worker in a diverse Toronto neighborhood or a no-nonsense police lieutenant in New York City, Waxman brought authenticity to every role he tackled.
His contributions to television, theater, and film, combined with his humanitarian efforts, have left a lasting impact on Canadian entertainment and culture. Waxman’s work has transcended generations, with his performances continuing to inspire and entertain audiences across North America. His legacy as a trailblazing Canadian actor, director, and advocate for social change remains influential to this day.